Jammu and Kashmir has the distinction of having multifaceted, variegated and unique cultural blend, making it distinct from the rest of the country, not only from the different cultural forms and heritage, but from geographical, demographically, ethical, social entities, forming a distinct spectrum of diversity and diversions into Kashmir, Jammu and Ladakh, all professing diverse religion, language and culture, but continuously intermingling, making it vibrant specimens of Indian Unity amidst diversity. Its different cultural forms like art and architecture, fair and festivals, rites and rituals, seer and sagas, language and mountains, embedded in ageless period of history, speak volumes of unity and diversity with unparalleled cultural cohesion and cultural service.

While the Kashmir has been the highest learning centre of Sanskrit and Persian where early Indo-Aryanic civilization has originated and flourshed, it has also been embracing point of advent of Islam bringing its fold finest traditions of Persian civilization, tolerance, brotherhood and sacrifice.

Ladakh on the other hand, has been the highest and living centre of Tantrayan Buddhism. Jammu, the same way, has been the seat of Rajas and Maharajas which have cemented and enriched the cultural, historical and social bonds of all these diverse ethnic and linguistic divisions of the state. The ancient archeological monuments and remnants speak volume of the district cultural traditions of the state.

Kashmir is rightly said to be Nature's grand finale of beauty. In this masterpiece of earth's creation seasons in strong individuality vie with one another in putting up exquisite patterns of charm and loveliness. Nature has left an indelible mark on the folk performances of Kashmir as they are intimately interlined with the moods and movements of the seasons.

Jammu the land of the Dogras, offer an entirely different fare of dances and music. Over the centuries long spell of seperation from their soldier, husbands and brothers have led the hardy but graceful women of the Duggar to evolve many diverting dances and songs to keep themselves in cheer in their free moments. The songs of seperation the ever increasing yearning for reunion with the beloved, the hard life on the mountain slopes and various other themes connected with their day-to-day life find their echo in folk songs and dances.

Ladakh is the repository of ancient cultural heritage. It is the only place in the world where Tantrayans Buddhism is practised as a way of life. People of this region are deeply drenched in music, dance and drama which embody religious fervour. Ladakhi songs and dances are simple in thought, content and performance to. Ladakhi dances reveal the simple and noble nature of the Ladakhi people. Song and drama both are the means towards salvation.

Jammu Region

Kud : It is basically a ritual dance performed in honour of Lok Devatas. This dance style is performed mostly during nights. It is spontaneous dance and people of all ages and sexes participate in this folk dance form. Instruments used during this dance are Narshingha, chhaina, flute, drums etc. It is the rhythm of music which contrils the movement of participants. This dance continues for the whole night. Number of participants ranges from 20 to 30 members.

Heren : It is a traditional theatre form performed during Lohri festival by 10-15 members. This style is mostly performed in hilly regions of Jammu.

Fumenie and Jagarana : This dance style is performed by the ladies on the eve of groom's departure to inlaws house. Both the songs are sung by a group of females consisting 15-20 members. This traditional dance form depicts the feelings and emotions of women folk.

Bakh/Gwatri/Kark/Masade : It is a chorous narrative singing sung by a group of 10 singers without the accompaniment of any musical instruments.

Gwatri : It is a singing/ dance combined tradition inwhich the singers narrate some text which is enacted by the Gwatari dancers

Karak : It is a tale ballet singing form sung by a community called 'Jogies'. They narrate a popular folk tale in their dance style, performed by three members with accompaniement of typical folk instrument called 'Rabab'.

Benthe : This is chorous singing tradition performed specific community of trible called Gujjar and Bakerwal. Dance is performed by 5-7 members.

Kashmir Region

Bhand Pather : It is a traditional folk theatre style combination of play and dance in a satirical style where social traditions , evils are depicted and performed in various social and cultural functions. Bhand Jashan is performed by a group of 10 to 15 artists in their traditional style accompanied by light music for the entertainment of people.

Chakri : It is most popular form of Kashmiri folk music. It has some resemblance with chakra of mountaineous regions of Uttar Pradesh. Normally Garaha, Sarangi, Rabab were the musical instruments used in the past. But now thw harmonium too has made its way in its presentation.

Sufiana Music : Sofians musiqui came to Kashmir from Iran in the 15th century. Over the years it has established itself as the classical music form of Kashmir and has incorporated a number of Indian Ragas in its body. Hafiz Nagma in fact, used to be part of sofiana music. The instruments used in this form are Santoor, Sitar, Kashmiri Saz, Wasool or Tabala. In Hafiz Nagma a dancer is a female while her accompanists on various instruments are males. Hafiza moves her feet on musical notes.

There are only a few families in Kashmir who are practising this musical form in Kashmir. Whereas the tallest ustad Ghulam Mohd. Qaleenbaft is unable to move out because of health problems, Ustad Ghulam Mohd. Saznawaz and Ustad Abdul Ghani Namathali are imparting training to their family members and are the practising artists.

Kashmir Dance & Music